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Unfortunately, we instead observe that not only has the thermal noise at the input been ampli ed but also additional noise has been generated within the ampli er, resulting in an extra 4 dB of noise at the output The end result is that the S/N has been degraded by 4 dB By de nition, this is the noise gure of the device The noise gure shows how much a S/N is degraded after a signal passes through a device The noise gure of passive components like an RF lter or a length of transmission line between the antenna and the LNA also have a noise gure, which is equal to their attenuation With a lossy component, the RF signal is attenuated in passing through the component Unfortunately, we cannot attenuate thermal noise Instead, output noise is regenerated in the component, which is at room temperature.

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The S/N degrades because the noise remains constant through the lossy component, but the signal is attenuated According to the de nition of noise gure, this means that the noise gure is the same as the attenuation..

Figure 31-1: 1024 x 768 resolution Figure 31-2: 800 x 600 resolution Figure 31-3: 640 x 480 resolution

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Setup Practice Picture: The yellow daisy in gure 625 was purchased at the local ower stand and set up in a vase outside in the late afternoon I used a white 5 6-foot Westcott reversible, collapsible background This two-sided backdrop has a pure white side and a pure black side and makes for a great quick backdrop whenever needed The camera was set on a tripod slightly below the height of the ower and angled to have the ower on the left side of the frame using the Rule of Thirds On Your Own: When shooting owers at a low level, sometimes you need a solid white or black background, and although a professional backdrop is useful, a piece of white foam board works just as well Lighting Practice Picture: The photo was shot using sunlight in the late afternoon.

Either way, you end up at the Windows Vista Newsgroups Web site, as shown in Figure 12-9. From this screen, you can enter a search term into the Search For text box. Click Go, and a list of relevant newsgroup discussions pops up, as shown in Figure 12-10. Click a newsgroup that interests you to bring up individual message postings in the box at the right. (See Figure 12-11.)

The direction of the light can be seen from the shadows cast by the smaller petals on the larger ones below them On Your Own: The best lighting is either in the morning or the afternoon Cloudy and overcast days let you take great ower and plant photographs The clouds act like a giant diffuser and create a softer, more even light Lens Practice Picture: I used a 100mm macro lens that is my usual choice for this type of photography On Your Own: Any lens can be used for this type of photography, but it is important to frame the ower correctly The minimum focusing distance can play a key roll in this decision For example, the 18-250mm has a minimum focusing distance of 16 inches and the 50mm f/28 has a minimum focusing distance of 78 inches.

Camera Settings Practice Picture: I set the camera to Shutter Priority I was shooting outside and there was a very slight breeze, so I needed to be sure that there would be no blur With the shutter speed of 1/125 and an ISO of 100 there was enough light for an f-stop of f/9, creating a nice deep depth of eld On Your Own: Using the full auto settings of the camera is a great starting point for these types of photos After you are comfortable with the setup and the composition, you can experiment with the depth of eld and shutter speed Just remember that with macro lenses, you can have a depth of eld so narrow that petals in the front of the photo will be in focus but the petals on the back of the ower will be out of focus..

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