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described in 1, but don t be afraid to really push for those last few reps during your third set Your partner should assist you just enough to allow you to complete your repetitions not to make the exercise easier for you! Be sure to concentrate fully during both the raising (positive) and the lowering (negative) portions of the movement

A ChildWindow is typically displayed from code rather than included as an inline element in XAML. To facilitate this, the control has several members that handle showing, closing, reporting results, and allowing cancellation. Table 15.8 lists those members and their related functions.

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Table 15.8 Properties, methods, and events related to showing and closing the ChildWindow Description A nullable boolean that indicates whether the dialog was accepted or cancelled. This is typically set to true in the handler for an OK button and false in the handler for a Cancel button. Displays the child window and immediately returns. Whereas the behavior of a ChildWindow is logically modal, from a programmatic standpoint, Show is a nonblocking and therefore nonmodal method. Closes the window. Typically, this is called from a button on the child window itself. Raised when the child window is closing. The handler for this event has the opportunity to cancel the close operation and force the window to stay open. Raised after the child window has been closed. Note that due to animations, the window may still be visible on the screen for a moment longer, but it s be in the process of closing for good. Use this event to inspect the DialogResult property.

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The typical way to use a ChildWindow is to call the Open method from code and then to take some action based on the dialog result available during the Closed event. Listing 15.6 shows this process in more detail.

for later transmission The Bing Crosby Laboratories played a key role in the development and testing of video technology The Sarnoff Institute called upon the capabilities of several companies to reach its goal of creating what Sarnoff dubbed the Hear-See machine One of them was Ampex, developer of the first commercial audiotape recorder The Sarnoff team believed that audiotape technology could be applied to video recording To a certain extent, they were correct Marvin Camras, a Sarnoff team member and scientist who developed the ability to record audio signals on steel wire used during WWII, soon discovered that the video signal was dramatically broader than the relatively narrow spectrum of the audio signal Early audiotape machines typically moved the tape along at a stately 15 inches per second (ips) To meet the bandwidth requirements of the video signal, the tape had to be accelerated to somewhere between 300 and 400 ips roughly 25 miles per hour To put this into perspective, a tape that would accommodate an hour s worth of audio in those days would hold one minute of video which did not take into account the length of the leader that had to be in place to allow the recorder to reach its ridiculously high tape transport speed To hold 15 minutes of video, a reel of quarter-inch tape would have had to be three feet in diameter not exactly portable Put another way, a one-hour show would require 25 miles of tape! To get around this problem, Camras invented the spinning record head Instead of moving the tape rapidly past the recording head, he moved the tape slowly, and rapidly spun the head By attaching the head to a 20,000 rpm Hoover vacuum cleaner motor (stolen, by the way, from his wife s vacuum cleaner), he was able to use two-inch tape and reduce the tape transport speed to 30 to 40 inches per second a dramatic improvement The first video demonstrations were admirable, but rather funny First of all, the resolution of the television was only 40 lines per inch, compared to more than 250 on modern systems The images were so poor that audiences required a narrator to tell them what they were seeing on the screen Luckily, other advances followed The original video systems rendered black and white images, but soon a color system was developed It recorded five tracks (red, blue, green, synch, and audio) on half-inch tape and ran at the original speed of 360 ips The system was a bit unwieldy: It required a mile of color tape to capture a 4-minute recording Obviously, mile-long tapes were unacceptable, especially if they would only yield 4-minute programs As a result, the Sarnoff/Ampex team reex-.

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