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Notice that there is a fairly significant difference between the two environments. For instance, the PATH variable in the cron job environment doesn t have nearly as many directories to search, which can easily break a script because of the assumption that the paths available in the interactive shell environment are available for the cron job. The system cron daemon automatically sets the environment variables that make up the minimal environment. It sets SHELL to /bin/sh, and PATH to /usr/bin:/bin. The USER, LOGNAME, and HOME variables are set based on your entry in the passwd file. That s all you get in the default cron environment. In the following slightly modified version of the example cron job, note the addition of the command to source the .profile file, which sets up some environment parameters prior to running the command. The additional command adds a more useful environment to the cron job:

The VolumeBar symbol happens to be 50 pixels wide, so let s run the numbers assuming the knob has been dragged halfway across the valid range. (Normally, halfway across would be 25, but we re adding half of that 8-pixel buffer, so half is 29 here.) Here s the actual expression: (volumeSlider.volumeKnob.x - 8) / (volumeSlider.volumeBar.width 8) It equates to this: knob's position - 8, divided by bar's width - 8 29 - 8 / 50 - 8 29 minus 8 is 21. 50 minus 8 is 42. 21 divided by 42 is 0.5, or 50%.

xform s volume property is set to 0.5, and then the final line reassigns xform to the channel.soundTransform property, which cuts the volume in half. Remember that this function is triggered every time the mouse moves, as it drags the knob.

Almost in the clear!

Here is the new output in the env.out file:

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Summary

The rest of the controls require barely a flick of the tail. All we need to do is hide the LoadingDisplay symbol (the spinning dots) by default and handle the Event.ID3 event. Let s do it. Add another block of code that looks like this: //////////////////////////////////////// // Loading display //////////////////////////////////////// loadingDisplay.stop(); loadingDisplay.visible = false; This stops and hides the spinning dots. Now, enter your final block of code, and make it look like this: //////////////////////////////////////// // Song Data //////////////////////////////////////// function soundID3Handler(evt:Event):void { songData.text = song.id3.artist + ": " + song.id3.songName + " (" + song.id3.year + ")"; }; This function is triggered whenever an MP3 s ID3 tags are encountered. Tag information is retrieved from the Sound.id3 property of the song instance here, song.id3.artist, .songName, and .year and concatenated into a string fed to the songData text field s text property.

The bottom box gives you information regarding the font. This information is pulled from the font s metadata. Clicking the More Font Info button will launch the browser, take you to the Adobe site, and open a Font License page. This page gives you a bit of information regarding the end user license agreement (EULA) of the font. This would include whether the font can or cannot be embedded into a SWF. This works really well for Adobe fonts, but fonts such as the one used here will result in the page telling you, in a nutshell: We can t find the font, so you make the licensing call. Why this legal stuff It is there to ensure that copyright is obeyed.

USER=rbpeters HOME=/home/rbpeters PAGER=morec ENV=/home/rbpeters/.shrc LOGNAME=rbpeters BLOCKSIZE=K PATH=/sbin:/bin:/usr/sbin:/usr/bin:/usr/games:/usr/local/sbin:\ /usr/local/bin:/usr/X11R6/bin:/home/rbpeters/bin SHELL=/bin/sh EDITOR=vi

Here s a little Mac trick if you want to remain purer than pure with embedding. Open Font Book, select your font, and select Preview Show Font Info. If there is a Yes in the Embeddable category, you are good to go.

A lot of this may not make much sense right now, but don t worry if you didn't understand all the details we ve just discussed. As you work through the examples in this book and see how elegantly ASP.NET AJAX script interacts with the underlying HTML and understand how the server-side controls eliminate much of the manual scripting, it will become much clearer. In this chapter, you were introduced to the overall architecture of ASP.NET AJAX, given a tour of the various features the architecture offers, and introduced to how it can empower the development of richer browser-based clients. ASP.NET AJAX is based on two pillars. The first pillar is the client-portion, Microsoft s AJAX Library, which encapsulates many common functions, provides an object-oriented programming environment for JavaScript developers, and enables access to ASP.NET Web Services. The second pillar is the ASP.NET 2.0 AJAX Extensions, which is a set of server controls that implicitly generates the JavaScript code that is needed to implement your AJAX application on the client. In the next chapter, you ll see in more detail how the AJAX Library makes writing the JavaScript portion of your AJAX applications much easier and how the different aspects of the library come together to provide a unified design and coding framework. You ll also get an overview of each of the library s namespaces and their associated classes and will learn about details of the object-oriented environment it provides, with features such as types, namespaces, and inheritance.

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