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their movies on DVD viewable only in widescreen or letterbox format Or they may choose to do a full-frame transfer in 4:3 format This brings up the issue of different transfers, which will be discussed after a brief digression into why 16:9 is the widescreen aspect ratio of choice

In the blank space, enter the transaction code you have used in the earlier menu path, such as [VA21], Create quotation Now double-click on the entry VA21 You will be faced with a pop-up box that assigns a function key that has not yet been assigned in this screen to the transaction VA21 In this example, we selected F2 (see Figure 5-69)

Why 16:9

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The 16:9 ratio has become the standard for widescreen Most widescreen televisions are this shape, it is the aspect ratio used by almost all high-definition television standards, and it is the widescreen aspect ratio used by DVD You may be wondering why this ratio was chosen, since it does not match television, movies, computers, or any other format But this is exactly the problem: There is no standard aspect ratio (Figure 321) Current display technology is limited to fixed physical sizes A television picture tube must be built in a certain shape A flat-panel liquid-crystal display (LCD) screen must be made with a certain number of pixels Even a video projection system is limited by electronics and optics to project a certain shape These constraints will remain with us for decades until we progress to new technologies such as scanning lasers or amorphous holographic projectors Until then, a single aspect ratio must be chosen for a given display The cost of a television tube is based roughly on diagonal measurement (taking into account the glass bulb, the display surface, and the electron beam deflection circuitry), but the wider a tube is, the harder it is to maintain uniformity (consistent intensity across the display) and convergence (straight

You now have a display similar to Figure 5-70 If you double-click the entry VA21, as in the earlier figure, you will receive a pop-up box, as in Figure 5-71 Now you must select whether to have an icon button representing the function or a text button with an attached icon For the purpose of this example, we will create a text button with an icon You can select an icon from the list of available icons in the system that is obtainable by selecting F4 In our example, we have selected the icon with the name ICON_SYSTEM_FAVORITES

U Countermeasure to IFRAME and documentexecCommand Apply the patch available at http://wwwmicrosoftcom/technet/security/bulletin/ MIE Frame Domain Verification

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horizontal and vertical lines) Therefore, too wide a tube is not desirable The 16:9 aspect ratio was chosen in part because it is an exact multiple of 4:3 That is, 4/3 4/3 = 16/9 The clean mathematical relationship between 4:3 and 16:9 makes it easy to convert between the two Going from 4:3 to 16:9 merely entails adding one horizontal pixel for every three (3 4), and going from 16:9 to 4:3 requires simply removing one pixel from every four (4 3)23 This makes the scaling circuitry for letterbox and pan and scan functions much simpler and cheaper It also makes the resulting picture cleaner The 16:9 aspect ratio is also a reasonable compromise between television and movies It is very close to 185, and it is close to the mean of 133 and 235 That is, 4/3 4/3 4/3 235 Choosing a wider display aspect ratio, such as 2:1, would have made 235 movies look wonderful but would have required huge mattes on the side when showing 4:3 video (as in Figure 317f, but even wider) Admittedly, the extra space could be used for picture outside picture (POP, the converse of PIP), but it would be very expensive extra space To make a 2:1 display the same height as a 35-inch television (21 inches) requires a width of 42 inches, giving a diagonal measure of 47 inches In other words, to keep the equivalent 4:3 image size of 35-inch television, you must get a 47-inch 2:1 television Figure 322 shows additional widescreen display sizes required to maintain the same height of common television sizes

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