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(in pre-layout) not critical in timing to be timing critical. It could also cause paths that are meeting the timing requirements to now become critical paths that no longer meet the timing requirements. Back annotation is an important step that bridges the differences between synthesis and physical layout. During synthesis, design constraints are used by the synthesis tool to generate the logic that is required. However, these design constraints are only an estimation of constraints that apply to each module. The real physical constraints caused by the RC parasitics may or may not re ect the estimated constraints accurately. More likely than not, the estimations are not accurate. As a result, these will cause differences between synthesis and physical layout. Back annotation is the step that bridges them.

In line 65, the keyword include is used to read the file. From lines 67 through 69, we ask for the steady-state expected queue length of Nr. This result is achieved by asking for the expected steady-state reward rate using the keyword exrss. In line 72, we assign the new reward rates so that the steady-state probability that node Ni is full can be calculated. Thereafter we bind the value of pl to p. Similarly, from lines 83 through 121, we assign different reward rates and ask for the steady-state average queue length of

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Figure 4.20 Interpretation of a second-order system frequency response for F s generates the frequency response of the system de ned in the s plane. Once again we can visualize the amplitude ratio (i.e. the modulus of the function F s ) as a three-dimentional surface in the s plane as shown in Figure 4.20. As indicated in the gure, the amplitude ratio of the frequency response can be interpreted as a section through the imaginary (j ) axis. In this second order system example there are two complex conjugate poles fairly close to the j axis. Therefore a section through the amplitude surface of the s plane along the j axis will result in a cut that penetrates well into the side of the mountain associated with the poles. For this particular system the frequency response will show a signi cant magni cation, or resonance, at a frequency adjacent to the poles as indicated by the shape of the section shown in the gure.

on gaining power for Egypt by seducing powerful Romans with her erotic wiles In Gladiator (2000), Maximus is kidnapped by Arab slavers and brought in a camel caravan to Zucchabar in Africa The scenery is clearly Arabic; Zucchabar resembles an Arab desert fortress Upon arrival the slave trader, an ugly and unreliable Oriental, offers Maximus to Proximo, the gladiatorial entrepreneur, at a special price In Alexander (2004) the Eastern world is mainly exotic, characterized by polychrome luxury The women are veiled but licentious It is a world that fascinates, but it is also a world to be discovered and conquered The East West dichotomy is presented most simplistically in 300 (2007), a lm about the battle between Spartans and Persians at Thermopylae The Spartans represent masculinity, courage, honesty, honor, mutual respect, and, above all, freedom; Greek civilization stands for reason and justice.

Class: describes a set of objects that share the same speci cations of features, constraints, and semantics. Association: declares that there can be links between objects of the classes it connects. A link is a tuple with one value for each end of the association; each value is an instance of the class at that end.

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Many dialog boxes in Max are modeless, which means that the dialog box doesn t need to be closed before you can work with objects in the background viewports. The Material Editor is an example of a modeless dialog box. With the Material Editor open, you can create, select, and transform objects in the background. Other modeless dialog boxes include the Material/Map Browser, the Render Scene dialog box, the Video Post dialog box, the Transform Type-In dialog box, the Display and Selection Floaters, and the various graph editors. Pressing the Ctrl+~ keyboard shortcut closes all open dialog boxes. Pressing the same keyboard shortcut again reopens the dialog boxes that were previously closed. Another feature of many, but not all, dialog boxes is persistence, which means that values added to a dialog box remain set when the dialog box is reopened. This feature applies only within a given Max session. Choosing the File Reset command button or exiting and restarting Max resets all the dialog boxes.

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